Dieter Wedel Wikipedia: He was Dieter Karl Cäsar Wedel, a German film director who died in 2022. The late 1960s saw Wedel directing a large number of television programmes, including some highly regarded miniseries including The Great Bellheim, The Shadowman, The King of St. Pauli, and Die Affäre Semmeling.
Among Germany’s most well-known television directors, he has a cult following. Between 2003 and 2014, he was the creative director of Worms’ Nibelung Festival.Several actresses came out in January 2018 to accuse Wedel of sexual harassment and, in the instance of actress Jany Tempel, rape as part of the Me Too movement.
Wedel’s work was funded in large part by the government and there have been official worries about an alleged long-term coverup of his activities. Wedel resigned from his position as artistic director of the Bad Hersfelder Festspiele after an official inquiry found evidence against him.
For a long time, Wedel was married to actress Ursula Wolters, but he’s also had relationships with other women, including Hannelore Elsner and Ingrid Steeger, who were also actors. Six children were born to him.When Wedel died in Hamburg on July 13, 2022, at the age of 82 he was buried there.
When it came to Wedels’ birth year, the facts were unknown for a long time: Despite the fact that he was educated in 1946, he was referred to by the public as having been born in 1942. In 2010, Wedel told the news agency dpa that he had to wait until he was three years older than he was in 1968 to get his first directing job on the film Gedenktag (1970).
He was born on November 12, 1939, in Frankfurt, according to a biographical essay he wrote as an annexe to his 1965 dissertation on the Frankfurt Schauspielhaus that was submitted to the Philosophical Facultät of the Freie Universität Berlin.
Wedel was the son of Karl Wedel, an engineer who died in 1957 and was also the owner of a leather goods factory. Ada Torana, Ada’s mother, was a pianist who performed under the name Ada Torana. After settling in Bad Nauheim, Wedel made a point of visiting the nearby Ernst-Ludwig-Schule. He premiered his first play,
Massada, on May 21, 1957, while he was a student at the city’s Kurhaus. Wedel was a tennis ace at the age of 17 when he competed in the Olympics.During his time at the Free University of Berlin, Hans Knudsen, his “Ersatzpapa,” taught him Theaterwissenschaft and History. He was in charge of the Studentenbühne when he was at college. In addition, he worked as a stage director and theatre critic.
After that, there was a showdown at the Berlin Amerika-Haus and the Hebbel. After graduating from the University of Bremen, Wedel worked for Radio Bremen as an author and a playwright from 1966 until 1968. In 1967, he moved to NDR Hamburg, where he worked as an assistant to Egon Monk, the head of the theatre department.
Dieter Meichsner trained him to become a house manager for the NDR. He adapted Wolfdietrich Schnurre’s short story Reusenheben for his first short film, Willi (1969). As a result of the events of the 17th of June, 1953, his first major television picture Gedenktag was born (1970).
Wedel’s first big hit as a director came in 1972 with the three-part film Einmal im Leben – Geschichte eines Eigenheims. Numerous German home builders recognised themselves in the fictional Semmeling family, who had experienced almost all of the difficulties of building a home.
In 1976, the concept of All Years Repeat – The Semmeling Family was rediscovered, and this time the vacation of a fictitious German average family was critically satirised. In 2001, Wedel attempted to link the 1970s Semmeling-film success with the multi-parter The Affäre Semmeling to the German financial bureaucracy.
But without resorting to the humoristically-satirical approach. Because of the drastically altered television landscape, the 1970s-era penetration rates could no longer be attained in today’s market.In 1978, Wedel founded the Active Film GmbHwith film producer.
Jürgen Dohme and directed and produced a number of societally critical films as a director and producer. Later, he was able to carry out his visions via the Corona Film GmbH, which he co-founded with his lifelong companion and future wife Ursula Wolters.